"Poignant, thrilling, magical, moving and utterly transfixing". London, WC2R 1LA, Tel: +44 (0) 20 7354 4333 Jui’s voice Sreya Andrisha Gazi, Dancers Dennis Alamanos or Nicolas Ricchini, Producer Claire Cunningham on behalf of AKCT, Original Visual Design Tim Yip Khan’s ecstatically danced biographical ruminations on forming an identity from the myths and stories of two worlds – whilst under the pressure of belonging to both and neither – are well served in this resplendent chotto-sized version. And what does that even mean in 2015 when cultures are merging together?
Direction and Adaptation Sue Buckmaster (Theatre-Rites), Music Composition Jocelyn Pook Acclaimed for his dance language rooted in the ancient Indian dance – Kathak.
Light Technician Stephane Dejours 2006: Olivier Award for Best New Dance Production (zero degrees)
Secondly, the project started from Bangladesh, as I said before, during the research week, and is now coming back to the country after touring the world for three years, so it really will be a homecoming. London, WC2R 1LA, Tel: +44 (0) 20 7354 4333
Eventually Khan lowers the hammer, defeated. Lighting Design Guy Hoare
A milestone in the company’s journey was the creation of a section of the London Olympic Games Opening Ceremony in 2012. Sound Engineer Marcus Hyde The entire creative team met for the first time in Bangladesh, travelling together for ten days through November 2010 to discover many of the voices, faces, places that compose the country. London Premiere: 30 October 2015, Sadler’s Wells, London, The [Hi]stories of Chotto Desh Costume Reconstruction Advisor Martina Trottmann Co-produced by MC2: Grenoble, Curve Leicester, Sadler’s Wells London, Les Théâtres de la Ville de Luxembourg, Concertgebouw Brugge, Produced during residencies at Curve, Leicester and MC2: Grenoble, Akram Khan Company acknowledges the support of the Bangladesh High Commission, London.
Tim, agreeing to collaborate with Akram on his next work, suggested it should be an exploration of his parents’ roots: Bangladesh.
It was time to keep a promise. This is both a personal and global piece exploring issues like home and family, identity and fantasy, affection and resistance. So we decided to build a brand new stage in Bangladesh for the show, made in Bangladesh with Bangladeshi material. DESH is as transporting a piece of dance as I have ever seen. In his collaborators, Khan has chosen with precision.
It started with Vertical Road. 2005: The Critics’ Circle National Dance Award for Company Prize for Outstanding Repertoire (Modern) (Akram Khan Company) All rights reserved. Learn about our history, meet us and find out how to work with us. In just over nineteen years Akram Khan Company is now undisputedly one of the foremost innovative dance companies in the world.
The piece was anchored by its chief creator’s consummate dancing and presence – a combination that helped Khan bag a well-deserved gong as male dancer of the year from the UK Dance Critics’ Circle in January 2013. All rights reserved.
Written by Karthika Nair, PolarBear and Akram Khan Stories imagined by Karthika Naïr and Akram Khan
Participate in placements, workshops and professional development. Sound Design Nicolas Faure Written by Karthika Naïr, Sue Buckmaster and Akram Khan
Find out more about every production, past and present. "Is that tech support?" Participate in placements, workshops and professional development. Now, Akram Khan Company, and Theatre-Rites director Sue Buckmaster have adapted Khan’s much-loved production for children aged 7+ and their families.
You may unsubscribe at any time by following the unsubscribe link in the newsletter. The partnership between Colas and Akram Khan Company tells the tale of an opening of minds, of mutual growth. All rights reserved. I also want Akram’s experience of coming to Bangladesh as an artist with his masterpiece to be as fulfilling as it can be, and the same for everyone from his company who’s doing workshops for us, sponsors who are going to be paying for it, viewers who will watch it on TV. For detailed information, please refer to the privacy section of our website or contact your local British Council office . Khan has explored this cultural interzone before, sifting its misunderstandings and highlighting its exhilarating new forms in works such as Zero Degrees (2005). Desh is a quest. His tread is weary and he is holding a lamp, as if clocking on for some grim night shift.
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