It takes a wise pianist to distinguish between serving the composition as an effective ensemble player, and yet putting oneâs personal stamp on it, as Bill does so skillfully here. If youâre listening carefully, youâre drawn into the work itself, always aware of Ogermanâs substantial compositional skill on its own terms --yet never losing the sense that out front, itâs Bill Evans being Bill Evans. Thanks very much.  Evansâ musical logic is impeccable here, as usual, as the chord structure is strewn with lots of challenging whole -tone and diminished harmonies. De son coté, Eddie Gomez démontre qu'il est …
Evans’ choices as to when to use the Rhodes or the Steinway are wise indeed, throughout, and with great sensitivity towards integrating the parts seamlessly within the composition. I've been listening to it on YouTube but now I can listen to it on my iPod when I run :). The valedictory-sounding Andante of this second movement (track 4) has more orchestral prominence than keyboard, and builds in an almost Mahler-esque grandiosity, as the pianist cleanly plays the scored single-line part. His rubato playing in the opening and second movement sometimes alone, sometimes in unison with the strings, is both moving and immensely accomplished in a way that few jazz or classical pianists could have countenanced.".
But he makes it all sound easy and almost inevitable. Soon after, this rhythm seems to ebb away, and we then hear the playful side of Bill as he alternates staccato jabs on both keyboards as the section closes. Thanks so much! Thanks so much, Thanks, I love Bill Evans.btw... i hope you don't mind, I put a link to your blog on mine.cheers,Ruud :). It is often used as punctuation at the end of a written ensemble phrase, or as a smooth and dreamy ensemble texture. When the strings do return, its just glorious, but there is a bit of an obvious tape edit that is quite audible over quality headphones. Voici un magnifique duo entre deux complices de longue date, Bill Evans au piano ou au Fender Rhodes et Eddie Gomes à la contrebasse. not neccessarily his overall best record, but i'd highly recommend it for new fans. ), A review by Doug Allan, Dave Carey, George Devens, Ralph MacDonald (perc), (Cover art on lower left is from the original release. Hi Simon, I had not heard much of his material after the 60s. The Bill Evans Memorial Library states it is the first recording in which Evans used a Fender Rhodes piano. Listen to a brief sound clip for this section... (957K) William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer. For many mornings, we would wake up hearing her play "What Are You Doing The Rest Of Your Life? In my opinion the best 'pure jazz' rhodes album ever recorded. Thanks for the post. (When you click on the link, it will open whatever As biographer Keith Shadwick (In the book "Bill Evans - Everything Happens to Me") noted:  âEvans brings to the work the consummate artistry and sensitivity that occurs when he is stretched and stimulated. But thereâs more, as the trio returns on its own, smoother than silk, with the earlier thematic material now in recapitulation. Gotta say not the biggest Bill Evans fan but enjoy this LP. possibly the definitive bill evans album.
", the first piece on the CD. It is a lengthy section, and as Bill scampers freely across his Fender-Rhodes, weaving in, around and through the complex yet smooth harmonic movement, one marvels at how he keeps the interest going. Without a doubt, one of Bill Evans' finest. After a few tender expositional phrases, Ogermanâs signature strings return, in a profoundly mature restatement, until Billâs chords mingle with the ensemble, followed again by just the trio, gently moving the section along. Eddie Gomez plays intelligently and with elegant restraint, once again anticipating the pianistâs phrases and spaces so well.  This whole little sub-section by itself would have been considered a stellar performance on any Evans trio album of the period. Hi guys - Added a link in the "Bill Evans on Fender Rhodes" discography : FLAC version of "New Conversations" (1978) : http://avaxhome.ws/music/bill_evans_new_conversations_1978_flac.html.
Jan Stevens is a pianist-vocalist and teacher in northern NJ, and webmaster of The Bill Evans Webpages.
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