Clicking on the 'Solution' link below will give one of many possible correct answers. The final note of the counterpoint must always be do (P1 or P8 above/below the cantus). In the alto voice starting on the given note (stem down in measure 3) write a tonal answer to the following soprano fugue subject. Writing Center | Math help room Finals Schedule | GPA Calculator.
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Thus, they are far from ideal, and to be avoided in species counterpoint. A single repeat/tie in the counterpoint is allowed, but try to avoid repeating at all.
In the tenor voice starting on the given note (stem up in measure 2) write a real answer to the following bass fugue subject.
Graduate Certificate in Music Performance, Bachelor of Arts (B.A.) The counterpoint line Beginning a second-species counterpoint. Solution1 3 Write a third species (quarter-notes) to the given cantus firmus. Never, ever, ever use two perfect consonances of the same size in a row: P5–P5 or P8–P8.
Voice crossings diminish the independence of the lines and make them more difficult to distinguish by ear. In the soprano voice starting on the given note (stem up in measure 2) write a tonal answer to the following alto fugue subject. Degree Requirements, Doctor of Philosophy (Ph.D.) in Music Degree Requirements, Doctor of Philosophy (Ph.D.) in Music Education Degree Requirements, KU Symphony Orchestra receives national recognition, KU Virtual Midwestern Music Camp draws nearly 2,000 students, KU School of Music welcomes three new faculty for fall semester.
Thus the penultimate bar will either be a minor third or a major sixth between the two lines. If the cantus ends ti–do, the counterpoint’s final two pitches should be re–do. In first-species counterpoint, we not only write a smooth melody that has its own integrity of shape, variety, and goal-directed motion, but we also write a second melody that contains these traits. The final pitch of the counterpoint should be do, as in first species. H�b```f``�����������X����c�#�(Ȥ((�`d``��!o��j �!�B����G�.�Х���bc��mGxM�D�. In general, all harmonic consonances are allowed.
Solution1 2 Write a second species (half-notes) to the given cantus firmus. Clicking on the 'Solution' link below will give one of many possible correct answers. Top 50 nationwide for size of library collection. Thus, when writing a counterpoint above a cantus firmus, the first note of the counterpoint should be do or sol(a P1, P5, or P8 above the cantus). Preface Introduction The pedagogy of counterpoint Stylistic Assumptions 1. This also helps maintain the independence of the lines.
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