If they don't, they're much less likely to keep reading. The central premise or conflict of your series is the main tension or unknown that needs to be solved. Rather than feeding into a vast overarching narrative, these types of series tends to be more episodical in nature. Will their desires change?
Perhaps consider holding off on introducing one or two key players until later in the series, rather than all at once at the beginning. Before we take a look at some key steps in planning your series, keep in mind that these are only guidelines, not concrete rules. So just write a pilot and a mini bible. Now it's time to think about the structure of that story, and how it will inform the structure of your series. To cut a long story (or series) short: if you're writing in a genre other than those listed above, you must have some very compelling characters or another very good reason for deciding to write an entire series. The networks have to find another thing to replace it which as I mentioned costs time and money. Developing your characters and knowing them well before you jump into the story will benefit you greatly in the long run. It's extremely time consuming and costly to launch new series. (Tension is one of the most important driving forces in fiction, and without it, your series is likely to fall rather flat. Never edit as you go, and never backtrack to include new details you've thought of unless it's absolutely vital to do so. Why? When readers commit to reading a series, they do it for one main reason: because they care about the characters. A reader should be able to start with book 4 and not find the story so bewildering that they’re completely lost. Make readers hunger for further information about their future or past experiences: When you write a book series, it’s crucial that character don’t remain static or readers could become bored.
World-building in fantasy and science fiction, link to How To Write A Shippable Romance Novel. Unless you plan to produce it yourself, people aren't going to read more than the pilot and perhaps a mini bible. Others might rub their hands together at the potentially lucrative benefits of a long-running series. Your characters must undergo significant changes throughout the story. What are the key events or turning points in each character's arc? Both the first and third books start with the main character’s name: Titus. What changes and developments will each character undergo throughout the course of the series? She also provides a subplot that creates additional story-driving tension. In her spare time, you’ll either find her reading or drinking endless cups of tea while writing things of her own. It could save you some valuable time and effort at the end of the process. Familiarise yourself with your story's sense of place as much as possible before you start writing in earnest. Just write your pilot and try to see if you can make general plans to make it last at least a few seasons. Love it or hate it, it's been around forever. As we discussed above, your protagonist especially must grow and change throughout the series. If there isn't, the book doesn't really qualify as a self-contained narrative. Everybody has a different writing process; some people are plotters, some people are 'pantsers', and the rest are somewhere in between. So just write a pilot and a mini bible.
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