But the counterpoint was that they and other songs found MMJ capturing wonder in a way they hadn’t quite managed to for years.

Where the hell did that even come from?

Those little guitar flickers at the beginning are the sort of intro that signal, right away, that you’re in for something. Given, early on, there was the alt-country tag, which always felt like a slight miscategorization, partially due to that label being one of those amorphous and sorta bullshit genre constructs. They are a band that’s sustained by the deep, deep investment of fans, listeners who will devour (and actually purchase) new albums regardless of whether or not a release engages with or punctures the mainstream music conversation at that given time. (2-CD), Chapter 1 The Sandworm Cometh: Early Recordings (CD), Broken Hearts & Dirty Windows: Songs Of John Prine (CD), Demos Package: At Dawn and Tennessee Fire Demos (CD), Evil Urges (2-LPs - 180gv) (with CD) (Vinyl LP), Heroes (Original Special Deluxe Ed.) If not, then what’s it all for? De tekst is beschikbaar onder de licentie.

But really, it all comes down to the guitar fireworks that happen later on, the destination the song’s always waiting to get to, Broemel and James dueling like the dudes from the old days. (Purple Colored Vinyl) (2LPs) (Vinyl LP), Okonokos (Live Album - 4 LP Boxset) (Vinyl LP), Song previews provided courtesy of iTunes. And if it weren’t for the fact that 2015’s The Waterfall gave us some serious instant-classic MMJ tracks, you’d see something from Circuital below. In its way, it feels like a rough draft for a lot of what came after, even for those of us who love it; these songs, after all, have often reached far greater heights as they’ve developed onstage. There were moments when they flirted with a more indie-centric buzz, with 2005’s Z and its followup Evil Urges, 10 years ago this June.

“Lay Low” arrives in the final stretch of Z, an oddity in the sense that it’s probably closer to an old-school MMJ song than anything else on Z and yet feels completely different.

Partnering with producer John Leckie — who’d also worked with the Stone Roses and Radiohead — MMJ were chasing a sort of celestial rock on this one. As we all await for My Morning Jacket's latest record to arrive in stores sometime this spring, we've decided to take a look at our favorite 20 songs from the band. After it, there’s never anything left but wreckage. If my count is correct — and it may be off by one or two — I’ve seen My Morning Jacket 27 times. Jim James’ voice. Otherwise, you’re talking about an era of electronica, post-grunge and nu-metal, and the impending wave of early ’00s retro-rock and the subsequent mainstream penetration of indie. This is, of course, fundamental to My Morning Jacket’s identity. Sometimes, there’s a subconscious reason a song like “One Big Holiday” careens and careens and refuses to slow down. My Morning Jacket website.

You can find MMJ fans who still hold their sophomore album above everything else they’ve done. This is the pivot point. My Morning Jacket perform on "Long As I Can See The Light" on John Fogerty's 2013 album Wrote a Song For Everyone. That and a lineup change necessitated something different, and Z was a sharper, more direct, yet also more experimental outing that redefined the MMJ rule book and paved the way for everything they’ve done since.

All of that being said, these songs were also great from the beginning — James was basically still a kid when this album came out, and he already had the ability to write songs imbued with the kind of gravity of an older person “who’s seen some things.” And the one that stands above the others is the first perfect opening track in a career full of them, “Heartbreakin Man.” Those ghostly “ooh-wahs” that basically serve as intro and chorus — there’s few better ways to imagine being introduced to MMJ.

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